Everything turns against them, the spiritual world starts punishing the mariner and his crew members making every single bit and element of the physical world painful for them. They face the wrath of God and Mother Nature, which is there to remind them that no human being is greater than the force of Nature. That ever this should be! Yea, slimy things did crawl with legs Upon the slimy sea. There is again a strong christian presence in the poem, when all of the sailors turn their eyes towards the ancient mariner blaming him for shooting the Albatross.
The curse of his horrible deed falls on his shoulders and he is stigmatized by the others with the dead bird hung around his neck. Had I from old and young! Instead of the cross, the Albatross About my neck was hung. But when they face the ghost ship, the horror is even greater; as well as their upcoming doom, their punishment enters its final phase — the ghost ship is no part of the physical world, this is where the spirits themselves decide to deal with the sinners.
The Mariner is doomed on something worse than death, although that the souls of the other crew members also go in hell, they look much more free than him, while flying out of their bodies. The Life-In-Death can be seen as a symbol of temptation. She will possess the soul of the Mariner until he pays for his deeds. The ship itself could be seen as a limbo. There is no way out of it, no wind to drive it forward. Even when the ghost ship approaches its masts block the sun as prison bars and Coleridge himself compares this sight with a dungeon: As if through a dungeon-grate he peered With broad and burning face.
It is almost like we are set to behold the enormous power of the spiritual world and the things which it is capable of — to put even the sun in a cage. When he starts seeing the beauty of the surroundings and the environment, the beauty of Nature, when he is filled with love for it, then he is granted the permission to pray and his burden to be removed as the dead Albatross fall from his neck right in the sea — right in the embrace of Mother Nature: And from my neck so free The Albatross fell off, and sank Like lead into the sea.
It is a test given him by God himself and the Mariner is awed by the beautiful power of nature, he is not frightened anymore. It is like his life begins anew, a rebirth: That had so long remained, I dreamt that they were filled with dew; And when I awoke, it rained. My lips were wet, my throat was cold, My garments all were dank; Sure I had drunken in my dreams, And still my body drank.
In Part Six there is a slight change of the stylistic structure of the poem. Coleridge presents us the Two Voices. The vivid visual description and concept of the ocean and every surrounding is replaced by the concept of sound and hearing.
The Two Voices are not given any visual form, they are most likely spirits, but the most important thing here is their word which we have to hear. To make sure that the Mariner knew that this was his fault the sailors hung the Albatross around his neck. They see a boat and describe how it was coming nearer. The Mariner used words like a little speck, a mist and a shape. The Mariner even had to suck his own blood to be able to speak. When they see who is coming on the boat there is a contrast between the way that Life-in-death is described.
This could be interpreted to them seeming graceful because they are so peaceful and helpless. I fear thy skinny hand! This includes swiftly, swiftly and sweetly, sweetly. This helps to describe the continuity of it. There are many riming words in this poem that are close together like dank and drank, loud and cloud, crag and jag and edge and sedge.
The riming words in part six are hand and land, sight and light, cheer and appear, boy and joy, fast and blast, good and wood etc. This is a small story within the poem. Is this the hill? Is this the kirk? Is this mine own countree! This shows how worn and fragile the ship was after the long journey. The rime of the ancient mariner has shown to be mysterious by the ways in which I have talked about.
“The Rime of the ancient Mariner” occurs in the natural physical world-the land and the ocean. But there is a huge connection to the spiritual, metaphysical world. I think that the poem is an exploration of the unconscious mind, since the poem has dream like qualities.
- Christianity in rime of the Ancient Mariner The Rime of the Ancient Mariner, penned by Samuel Coleridge, and published for the first time in in the co-authored “Lyrical Ballads” with William Wordsworth, is a poem in which an old sailor recounts his tales to a young wedding guest.
Symbols in The Rime of the Ancient Mariner by Samuel Taylor Coleridge Essay examples - In this essay, I will be examining some of the symbols in Samuel Taylor Coleridge's poem, 'The Rime of the Ancient Mariner.'; Symbols were very important in this poem. The Rime of the Ancient Mariner Homework Help Questions What are some examples of symbolism in "The Rime of the Ancient Mariner"? In "The Rime of the Ancient Mariner," the albatross is a good omen for sailors and sometimes even represented the soul of a lost sailor.
The rime of the ancient mariner has shown to be mysterious by the ways in which I have talked about. These are things like repetition to really get the point across. Also used are similes to project an image into the readers head. The Rime of the Ancient Mariner, a complex tale of an old seafarer, was written by Samuel Taylor Coleridge and published in According to the Longman Anthology of British Literature, the work first appeared in “Lyrical Ballads”, a publication co-authored with William Wordsworth ().